BOARD MEMBERS
The Georges Mora Fellowship is driven by a dynamic group of art lovers, including:
Clive Scott (he/him) is the General Manager of the Sofitel Melbourne on Collins and Area General Manager – Sofitel Australia and Fiji. He has a Diploma in Hotel Management and a Degree in Economics.
He is actively involved in Melbourne’s business and arts community. He is on the board of Craft Victoria, is Chairman of the Department of Management and Marketing Advisory Board at the University of Melbourne, and is Chairman of Judges for the 2014 Melbourne Awards. He was an ambassador of the 2014 Melbourne Art Fair. Clive has been honoured with the Gold Tourism Medal from the French Minister of Tourism for his contribution to tourism development between France and Australia.
Phil Bretherton (he/him) is a partner at Donegan's Accountants. Phil completed a Bachelor of Business (Accounting) at RMIT and is also a CPA, a Registered Tax Agent and a Chartered Tax Adviser.
Damien Hodgkinson (he/him) works as Executive Director with the Melbourne International Comedy Festival. His career includes cultural leadership positions in the areas of organisational management and governance, communications and marketing, and private support. Recent appointments include roles as Executive Director Operations with the Australia Business Arts Foundation and General Manager/CEO of Melbourne Fringe.
Damien has served as Chair of Polyglot Theatre and is currently a board member of Arts Project Australia and the Georges Mora Foundation. He is also a member of the Academic Advisory Board for the Arts and Entertainment Management Program in the Faculty of Business and Law at Deakin University.
Sam Mora (he/him) is a carpenter specialising in cabinetry and renovation work. Sam has assisted several construction projects in East Timor, Sri Lanka and most recently volunteers with Solve Disability Solutions in Melbourne.
He has an appreciation for the arts stemming from a childhood spent with Georges Mora and Caroline Williams Mora, and is a proud member of the Georges Mora Fellowship Board.
FOUNDER
Caroline Field (she/her) is widely recognised for her extensive knowledge of Australian art and her experience in the museum industry, as exhibition curator and collections manager. Since 2016 Caroline has been Curator of the Australian Catholic University Art Collection. Her previously held positions include Manager, Exhibitions and Curatorial Projects, Australian Galleries Melbourne; Director of the City of Horsham Regional Art Gallery; Curator of the Deakin University Art Collection; Founding Director of Deakin University’s Stonington Stables Museum of Art, Toorak campus, and the ICON Museum of Art (now Deakin University Gallery), Burwood campus. Caroline is a contributor to the Australian Dictionary of Biography and a valuer for the Australian Government Cultural Gifts Program. She has undertaken a Writer’s Residency at the Bundanon Trust, NSW, and been awarded an Honorary Creative Fellowship at the State Library of Victoria. Her publication Australian Galleries: The Purves Family Business, The First Four Decades 1956 –1999 was published in 2019.
Zara Sully (they/them) is a multidisciplinary artist, curator and arts worker. Works include installation, photography, audio-visual media, self-portraiture and sculpture. In 2018, Zara was shortlisted for both the Blake Prize and the Majlis travelling scholarship. Zara is a graduate from Fine Art (Hons) at the Victorian College of the Arts and Monash University. Recent shows include On Screen, In the Flesh (curator) at Trocadero Art Space and Everything In Its Right Place (Radiohead) at Bus Projects. Previously, Zara was a long-term volunteer with Bus Projects, and the Vice-President at Trocadero Art Space. Sully is the current director of Sawtooth ARI and based in lutruwita (Launceston, Tasmania).
Caroline Williams (she/her) is a Melbourne based artist and founder of the Georges Mora Fellowship. Major exhibitions of Caroline's work include Caroline Williams: there, 1999, Ian Potter Museum of Art, University of Melbourne, this exhibition toured between 1997-1999 to Robert MacDougall Gallery, Christchurch, NZ; Manawatu Art Gallery, Manawatu, NZ; Hawkes Bay Museum, Whangarei, NZ & Wellington City Gallery, Wellington, NZand Caroline Williams: men exhibited at Ian Potter Museum of Art, University of Melbourne in 1992.