2009 RECIPIENT OF THE GEORGES MORA FOUNDATION FELLOWSHIP
Philip Brophy has an extensive and accomplished history of art projects across film, video, sound, installation and performance with key interests in pop, sex and music. Brophy’s work often constitutes reworking pre-existing media, composing film, music and soundscapes, and mixing, mastering, installing and presenting audiovisual work in surround sound environments. Philip is also a highly regarded author and speaker who writes regularly for different publications as well as publishing books on audiovisual concepts through the British Film Institute.
2009 RECIPIENT OF THE GEORGES MORA FOUNDATION FELLOWSHIP
Philip Brophy has an extensive and accomplished history of art projects across film, video, sound, installation and performance with key interests in pop, sex and music. Brophy’s work often constitutes reworking pre-existing media, composing film, music and soundscapes, and mixing, mastering, installing and presenting audiovisual work in surround sound environments. Philip is also a highly regarded author and speaker who writes regularly for different publications as well as publishing books on audiovisual concepts through the British Film Institute.
Philip BROPHY, Colour Me Dead- The Lady in the Lake, 2013
Installation Image from Colour Me Dead, The Ian Potter Museum of Art, 2013
Philip BROPHY, The Morbid Forest, 2013
Still from Video