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GEORGES MORA FELLOWSHIP

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IGNITING COURAGE AND SUPPORTING NEW THINKING IN ART

GEORGES MORA FELLOWSHIP

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 Philip BROPHY,  Colour Me Dead- The Lady in the Lake , 2013 Installation Image from Colour Me Dead, The Ian Potter Museum of Art, 2013

Philip Brophy

2009 RECIPIENT OF THE GEORGES MORA FOUNDATION FELLOWSHIP

 

Philip Brophy has an extensive and accomplished history of art projects across film, video, sound, installation and performance with key interests in pop, sex and music. Brophy’s work often constitutes reworking pre-existing media, composing film, music and soundscapes, and mixing, mastering, installing and presenting audiovisual work in surround sound environments. Philip is also a highly regarded author and speaker who writes regularly for different publications as well as publishing books on audiovisual concepts through the British Film Institute.

ARTIST WEBSITE 

 

 

Philip Brophy

2009 RECIPIENT OF THE GEORGES MORA FOUNDATION FELLOWSHIP

 

Philip Brophy has an extensive and accomplished history of art projects across film, video, sound, installation and performance with key interests in pop, sex and music. Brophy’s work often constitutes reworking pre-existing media, composing film, music and soundscapes, and mixing, mastering, installing and presenting audiovisual work in surround sound environments. Philip is also a highly regarded author and speaker who writes regularly for different publications as well as publishing books on audiovisual concepts through the British Film Institute.

ARTIST WEBSITE 

 

 

 Philip BROPHY,  Colour Me Dead- The Lady in the Lake , 2013 Installation Image from  Colour Me Dead, The Ian Potter Museum of Art, 2013

Philip BROPHY, Colour Me Dead- The Lady in the Lake, 2013
Installation Image from Colour Me Dead, The Ian Potter Museum of Art, 2013

 Philip BROPHY,  The Morbid Forest , 2013 Still from Video

Philip BROPHY, The Morbid Forest, 2013
Still from Video

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The Georges Mora Fellowship acknowledges the Wurundjeri people of the Kulin Nation as sovereign custodians of the land on which we work, who have cared for Country and culture over millennia, and continue to do so. We extend our respect to ancestors and Elders past and present, and to all First Nations people.